Kim Kardashian presented herself as a contemporary icon capable of commanding the scene without compromise, wearing a sartorial masterpiece by Maison Margiela Artisanal by Glenn Martens. A corset dress with a structured cape where the body becomes sculpture and the message goes beyond the surface. On the stage of the DVF Awards, Kim spoke about human rights, criminal justice reform, and dignity, transforming glamour into a powerful tool of commitment.
Julia Roberts, making her debut at the Lido, chose a discreet and sophisticated elegance, wearing a refined Versace by Dario Vitale that combines rigor and fluidity. In the film After the Hunt, directed by Luca Guadagnino, she brought to the screen intense themes related to perception and judgment. On the red carpet, her presence invited deeper reflection, made of measured glances and eloquent silences.
Emanuela Fanelli brought a touch of fresh and uniquely Italian irony, wearing Alberta Ferretti with an authentic and never predictable style. Her femininity, brilliant and contemporary, perfectly blended with the unique spirit of Venice, a city made of continuous changes and surprises.
The Venice Film Festival reminds us that fashion is never just appearance but a form of personal and collective storytelling. It is the way we tell who we are, what we desire, and who we want to become.
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