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Jean Paul Gaultier changes shape. For FW26, Duran Lantink steps into the world of the Maison, reinterpreting its most recognisable codes through a contemporary, irreverent and deeply personal lens. A new chapter that does not look to the archive with nostalgia, but instead treats it as living material to be transformed.The body, always at the heart of Gaultier’s visual language, takes centre stage through bold silhouettes, unexpected proportions and constructions that challenge convention. Corsets, tailoring, denim, transparency and trompe-l’œil are deconstructed and reconstructed, creating a wardrobe where the boundaries between masculine and feminine become deliberately fluid. Lantink approaches form as...

NAPLES — An evening celebrating elegance, passion, and the enduring history of Neapolitan football unfolded at the Michele Franzese boutique on Via Domenico Morelli, chosen as the exclusive setting for the closing celebration of the filming of “Napoli, 100 Years of Passion”, the film conceived by Aurelio De Laurentiis to commemorate a century of Napoli Football Club history. A sophisticated gathering brought together cinema, sport, culture, and Neapolitan style in an atmosphere defined by attention to detail. The event was masterfully organized by vice president Edoardo De Laurentiis, who welcomed guests for an evening dedicated to celebrating the completion of...

Paris, September 30, 2026. Place Vendôme becomes a theatre of reflections, and the new Tom Ford chooses the mirror as a metaphor for its evolving identity. Here, amid mirrored surfaces and silhouettes that seem to appear and disappear within the same instant, Haider Ackermann presents the maison’s Spring/Summer 2027 collection: a collection that does not attempt to replicate Tom Ford’s language, but instead asks what remains so unmistakably contemporary about it. The answer is desire. Not the polished, predictable kind of glamour, but a more ambiguous, physical, almost cinematic form of seduction. The body becomes the centre of the narrative...

Some collections define a season. Others define an era. Rabanne Fall/Winter 2026 belongs to the latter. Julien Dossena’s final collection for the house carries a significance that goes beyond the runway. It is not a nostalgic farewell, nor an exercise in looking back. It is Dossena leaving Rabanne exactly as he made it his own: luminous, sensual, irreverent and impossible to pin down. A Little Louche is the title. And it could hardly be more fitting. This is a Rabanne that refuses to behave. Slightly ambiguous, deliberately imperfect, quietly provocative. Dossena brings together references that should not necessarily belong in...